With the current 8.5 percent unemployment rate, and pay freezes or cuts for much of the remaining 91.5 percent of the nation’s workers, there is no better time for companies to embrace creative pay-for-performance programs.

The current state of the economy is undoubtedly making even the best employees anxious. And anxiety breeds under-performance, which can exacerbate your company’s already mounting challenges. Freezing employee salaries doesn’t mean that you can’t reward over-achievers with other perks and pay incentives. Cash bonuses, stock grants, and highly desirable professional development opportunities are fair game and can provide the necessary catalyst for top employees while encouraging under-performers to step up their game.

You can also use the current economic situation as an opportunity to revamp your overall compensation structure. Does your current pay structure fully differentiate between your performers and laggards? Is your current pay plan designed to pay past performance rather than spur improved future performance? Does your current plan truly encourage innovative thinking and risk-taking or does it simply encourage loyalty to the boss?

Here’s a thought: Instead of simply freezing every employee’s salary this year, how about increasing the salaries of the top-performing 20 percent while lowering the salaries of the bottom 20 percent? Your total salary expenditures would remain flat, but your overall corporate performance would surely increase.

Turn adversity into an inspiring opportunity to make the necessary upgrades to your compensation program that will result in performance 2.0 for your company or organization.

The Phillips Collection is America’s first museum of modern art. It was founded in 1918 and opened to the public in 1921 — eight years before the Museum of Modern Art (MoMA) in New York, and two decades before Washington’s National Gallery of Art.

Located in the eclectic Dupont Circle area of our nation’s capital, Duncan Phillips (1886-1966) established the museum as a memorial to his father and brother who died, respectively, in 1917 and 1918. The brothers both went to Yale, were very close, and shared an interest in modern art. “Sorrow all but overwhelmed me,” Duncan Phillips later wrote. “Then I turned to my love of painting for the will to live.”

Over the next five decades, Phillips collected a broad representation of both impressionist and modern art – including works from European and American artists. The museum has showcased works of Paul Cézanne, Edgar Degas, Vincent van Gogh, Paul Klee, Henri Matisse, Claude Monet, Pablo Picasso, Winslow Homer, Thomas Eakins, John Marin, and James Abbott McNeill Whistler.

Today, the Phillips Collection is a model for other museums to follow – giving back to the nation and the DC community through education and outreach to nearly 90,000 children, teachers and families each year. The museum’s programs seek to leverage the “magic of the arts” to inspire creative expression, the development of critical literacy skills, and lifelong learning. Phillips’s upcoming Annual Gala on May 15 raises money to help fund these very worthwhile causes.

The magic of the arts can also transform individuals in the workplace. Inspiration from present-day and past artists can provide a mighty catalyst for more inspired products and services. Putting your employees in creative environments can pay dividends for your company or organization. Learn from innovators like Duncan Phillips who used loss and adversity to break from the pack and turn a passion into a life-changing experience.