It’s hard to add to what has already been said from so many corners of the globe about the enormous contributions of Steven Paul Jobs to the fields of technology, movies, music, telecommunications, and design itself. But I do feel compelled to say something about Mr. Jobs. We just lost our country’s Chief Innovator.

Steve Jobs was a once-in-a-generation visionary who demonstrated a unique blend of design, business, and marketing savvy. He took a quirky, irrelevant computer company named after a fruit, which he co-founded in the 1970s, and turned it into a global business powerhouse boasting the largest market cap of any other company on the planet  – equaled only by Exxon Mobil.

The last decade, in particular, has been truly impressive as Jobs led Apple as it redefined the music industry via the iPod, wireless communication via the iPhone, and more recently, the computer itself via the iPad.

Jobs didn’t always get it right. In 1985, after being fired by Apple, he started the NeXT computer company. NeXT folded in 1996 after shipping only 50,000 units, but its high performance personal computers impressed many, including Apple, which re-hired Jobs in 1997.

Most important, Jobs learned from his mistakes and he wasn’t afraid to make them. At every turn in his career, he ignored traditional business school dogma, and chose to take a different path – always guided by what he felt the consumer wanted.

Jobs concluded that consumers would be willing to pay more for a product if it was well-designed and simple to use.  He was right, and Apple and its shareholders have benefited handsomely.

Business schools will be studying the “Jobs Effect” and his hyper-successful business methods for years to come, and rightfully so.

At some point, there will be another Steve Jobs. He or she will also achieve success by eschewing the safe path. And most likely, he or she too will succeed as a result of a keen focus on innovation, smart design, and creative business approaches.

After three years of delays, Boeing finally delivered its first 787 Dreamliner this past Sunday to its very patient customer, Japan’s Nippon Airways.

The Boeing Dreamliner is probably the most innovative aircraft in the company’s history. It successfully blends design, function, and energy efficiency. The Dreamliner’s lightweight carbon fiber design and use of new plastic-composites translate into a 20 percent fuel savings. Inside the cabin, there is more headroom and larger stow bins, dynamic LED lighting, and larger windows that can be dimmed electronically.

The accolades for the Boeing Dreamliner are already pouring in. Yesterday, it received “Best in Show” at the 2011 annual conference for the International Design Excellence Awards (IDEA) in New Orleans.

But these awards can’t top its most important measure of success. Boeing has already received 800 orders for the Dreamliner valued at $164 billion, making it “one of the most successful commercial airplane launches” in history.

So it appears that the wait was worth it for Boeing.

Your company may be in the process of dreaming up your next best product or service. You too may struggle with delivery delays, glitches, and unexpected turbulence along the way.

Yet, it’s vitally important to push your team to improve upon what already has made your company successful.

Otherwise, you might find yourself stuck on the Tarmac wishing you had a better flight plan.

I was recently in Rome where I toured the artistic creations of the 173-year-old marble floor company, Ditta Medici.

Located on Via dei Papareschi not far from the Tiber, Ditta Medici has been designing and restoring marble floors for some of the most discriminating clients on the globe since 1838. Clients have included the Vatican, Westminster Cathedral, St. Patrick’s Cathedral, the Getty Museum, several Bulgari stores, and hundreds of private clients.

Priscilla Grazioli Medici is the latest family member to run the oldest marble workshop in Rome, who gave me a tour of her factory. She showed me some beautiful and unique marbles, which I have not seen in the States — some of which have not been quarried for two thousand years.

Ditta Medici has a number of floor designs which they can customize to your floor, or they can work with you to design a completely one-of-a-kind floor using the rarest of marbles.

You clearly pay a premium for custom and unique. It’s always been this way. Yet, what is a relatively new phenomenon in today’s flatter world is less emphasis on creativity and design, and more on instant gratification, low cost and sameness.

Today, you can buy the same designer label dress or suit in London, Tampa, Minneapolis or Beijing. Is this ubiquity a bad thing? Yes, if it means that many small, individual designers are pushed to the curb in the process.

Have you happened to stroll through the storied neighborhood streets of Greenwich Village in Manhattan in the last two years? Gone are many of the decades-old, sole proprietor shops where you could find rare books, clothing, art, and household items. They have been replaced by global designer brand stores that drive up the rent for everyone else, and in turn, drive out the eclectic and the exceptional.

Unfortunately, a similar fate may await Ditta Medici of Rome and many exclusive and creative shops around the globe.

But I’m not counting out the creative class just yet.

All of us should do what we can to celebrate the artisans and innovators still among us, and those young artists and designers who aspire to make a career in the creative arts.

I’m still convinced that the most creative businesses will not only succeed, but will far outlast the competition. Much like the lasting beauty of a fine Italian marble floor.

Adobe Systems, a leading creative software company, announced its 10th Annual Design Achievement Awards (ADAA) awards today in Los Angeles, CA. The awards celebrate “global student achievements that bring technology and the creative arts together.”

Winners were chosen in 12 categories across interactive media, film, motion picture, and traditional media. For example, Laura Bordin of Venice, Italy won in the Mobile Design category for her design work on “Heart Lift,” which is a telemonitoring system for heart patients.

Since ADAA’s inception in 2001, nearly 20,000 students from 52 countries have participated in the annual competition. This year’s winners received a $3,000 cash prize and free copies of Adobe’s high-end designer software.

Adobe Senior Vice President, Ann Lewnes, notes that “the Adobe Design Achievement Award competition attracts the best student designers in the world. We feel fortunate to be able to shine light on these future creative leaders.”

At New Lantern, we feel fortunate to shine light on these creative leaders as well, which is at the heart of our mission.

This past week, we all watched joyously as the 33 Chilean miners were pulled alive from the depths of the earth that had entrapped them for 69 days.

It was back on August 5th when the copper mine in Copiapo, Chile collapsed, leaving 33 men trapped 2,300 feet below the earth’s surface. Seventeen days passed before rescuers received any sign of life, when the eighth test bore drill came back to the surface with notes attached to the drill bit stating that 33 miners were indeed alive.

At that point, the world rallied to help Chilean officials and mine experts craft complex plans to rescue the miners. Three drill plans — A, B, and C — were launched using different drilling technologies in an effort to reach the miners with a shaft just large enough for their escape. Meanwhile, medicine, liquid food, and oxygen were sent nearly half a mile down via the tiny bore hole as the three drilling rigs worked for weeks around the clock.

NASA developed and built a special transport cylinder to bring the miners to the surface that was a mere 21 inches in diameter inside. Some miners, who had lost over 20 pounds during the first 17 days, were later put on a special diet to ensure that each could fit into the slender rescue tube. Miners were also put on an exercise regimen to minimize muscle atrophy. Mental health experts were consulted on how to engage the miners in certain routines to address the severe mental stress from the ordeal.

In the end, it was the “Plan B” drill that finally reached the small refuge area on October 9th where the miners were located. The “Plan B” drill used a special drill bit from a Pennsylvania company with a hammering mechanism never before used by the Chilean mining industry.

The Chilean government, including its President and its Mining Minister, deserve a lot of credit for the unprecedented rescue. Against enormous odds, they put together a plan of action that embraced both the known and the unknown, while giving themselves necessary contingencies. They also were willing to accept critical input, assistance, and know-how from around the globe, yet remained in control of one of the most complex and intensive rescue operations in history. They proceeded to relentlessly pursue their plan, and 33 lives were saved as a result.

It is a tribute to human ingenuity and the human ideal. When lives are at stake, I marvel at what humans can do when working together.

Corporate executives can learn from this survival phenomenon. The last two years have brought near-death experiences to many companies around the globe. Those companies whose managers and employees rally together, stay focused, and design necessary contingencies are more apt to come out of their hole alive.

It ultimately just might be your “Plan B” that saves your company.

The online nomination period for the world’s largest monetary design award by INDEX: opened September 7 and closes on December 17, 2010.

INDEX: (yes, spelled with a colon) is a Danish-based non-profit organization started in 2002, whose motto is “Design to Improve Life.” INDEX: describes its mission as working “globally to promote and apply both design and design processes that have the capacity to improve the lives of people worldwide.”

INDEX: is best known for its lucrative biennial award for top designs in five life-changing categories: body, home, work, play and community. Its awards total 500,000 euros, split among the five categories, making it the largest monetary prize for design in the world.

According to its website, INDEX: was originally conceived by designer Johan Adam Lindeballe and Danish Permanent Secretary Jørgen Rosted as a “world event.” INDEX: promotes its “Design to Improve Life” objective via the biennial design award, a world-touring exhibition, a summer camp, conferences, and publications.

In 2009, INDEX: received over 700 nominations from 54 countries. The winners included the Freeplay fetal heart rate monitor that can be used in remote areas of the world, where electricity is scarce, and a person-to-person micro-financing company called Kiva. Past winners have included the One Laptop Per Child Foundation (2007) and Tesla Motors for its the all-electric Roadster sports car (2007).

Anyone can nominate his or her favorite life-improving design for the 2011 INDEX: award, which will be determined by an “international jury of designers, design scholars and thinkers, business people, and curators.”

So what has improved your life or the lives of others this past year? Visit the INDEX: website to enter your nomination.

Global recognition is a powerful lure to encourage designers and inventors to reach new heights. The sweet smell of 500,000 euros doesn’t hurt either.